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| Robert Pruitt |
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You can also see Robert's work at the
Clementine Gallery
in NYC. |
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I have been educated by the contemporary art system, but my neighborhood, and most of its residents, is unaware of this world, and that world is unaware of them. This is the dichotomy out of which I work. An inhabitant of two worlds, my work attempts to bridge the gap between African cultural traditions supposedly lost to African Americans, and contemporary art making tactics. I fuse Hip-hop sensibilities and a revised sense of history with a penchant for the found (or cheaply bought) object. I romanticize the revolutionary ideologies of the seventies, the dope fresh styles of the eighties, and the conceptual art making practices of the nineties. I collect objects, quotes, and events from my stereotypically disenfranchised neighborhood, bring them back to my studio and mix them up to make art. My materials, to me, are artifacts stained with memory and meaning. I use these artifacts to make objects and images that expound on the black condition in America, and I use a chitlin circuit style of humor to sneak it into the subconscious of my audience. Robert Pruitt, 2004 |
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Studio
107 was created to establish a dialogue among contemporary If you would like to see the work in
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